• Privacy Policy
  • Privacy Policy
  • Sample Page
  • Sample Page
Body Cam
No Result
View All Result
No Result
View All Result
Body Cam
No Result
View All Result

Entitled Woman Goes Nuts Over Some Shoes

Bessie T. Dowd by Bessie T. Dowd
January 26, 2026
in Uncategorized
0
Entitled Woman Goes Nuts Over Some Shoes

Delusional Mom Argues at Indiana Store She Shouldn’t Pay Taxes on Sneakers Because of Christmas: ‘I Feel Bad for the Child’

The Tax Grinch

Image Source: hangtimeindytv via TikTok

A mom tried to buy a pair of sneakers for her son at a store in Indianapolis, Indiana. She, however, tried to argue with the seller that she didn’t need to pay taxes on the shoes. Her reasoning? Christmas apparently carries tax exemptions.

MY LATEST VIDEOS

The ridiculous interaction was shared on TikTok by the seller himself, who might also be the owner of Hangtime Indy, the store in question. The man explained that the two pairs of sneakers the woman was about to buy totalled 209 dollars.

The unnamed woman, whoever she was, seemed confused, as one of the pairs cost $100 and the other $95. The seller, however, explained that the difference was due to sales tax. Despite the explanation, the woman got even more confused, turning to delusion.

Indiana Woman Argues She Doesn't Need To Pay Taxes Due To Christmas

“Why I gotta pay taxes?” the woman asked the seller. He explained that everyone pays taxes, to which the woman rebutted, “But it’s Christmas.” The seller, unfazed, said, “Don’t make a difference.”

Christmas, No Taxes?

The Indiana mom tried to sugarcoat her desired price by, again, insisting that it was “the holidays” and that she didn’t plan to pay an extra $14. “I got my son, we’re just trying to Christmas shop,” the woman added, while her son smiled.

A back-and-forth ensued, and the woman then said she “never had to pay taxes before.” The seller, bewildered, asked, “You don’t pay taxes in general?” to which the woman explained, “Yeah… But, it’s Christmas.”

When another Hangtime Indy employee tried to explain the taxes, the Indiana woman said that she was a “single mother.” Again, the argument continued, and she was eventually escorted out of the store.

Entitled Texas Woman Goes Full Karen After Hitting Fellow Shopper’s Car: ‘Say You Voted For Trump Without Saying You Voted For Trump’

Related:Entitled Texas Woman Goes Full Karen After Hitting Fellow Shopper’s Car: ‘Say You Voted For Trump Without Saying You Voted For Trump’

Many users were shocked by the woman’s entitlement, with many praying that it was a skit all along. Some, however, felt bad for the woman’s son.

“I feel bad for the child,” one user commented. Another one wrote, “No way she really asked why she has to pay taxes…” A third one added, “If $14 is the issue, why spend $200?“

It appears that the Christmas season has taken a toll on everyone, particularly on store sellers. It might very well be the Karens’ favorite time of the year.

JLA Beat

JLA Beat is a regularly-updated online resource written entirely by the Journal’s editorial staff. Launched in 2015, the Beat features recent legal developments in the topics discussed in our print edition and beyond, including the art, entertainment, sports, intellectual property, and communications industries. Texts published in the JLA beat are subject to the Journal’s CC-BY 4.0 license. 

Who’s to Blame for the Louvre Heist? Evaluating Security, Labor, and Liability Concerns.

Alexandra Michael

Blind spots around the museum. Understaffed security personnel. Weak security passwords. These are just some of the ways the Louvre “protected” its collections prior to the heist on October 19, 2025, during which eight items were stolen. During the heist, the only security camera in the area was pointed the wrong way, and the alarm didn’t go off until the thieves breached the entry window. Museum director Laurence des Cars, who took the position in 2021, knew that the security system was outdated. Earlier in 2025, French President Emannuel Macron had promised sweeping renovations to the museum’s security system. So, why weren’t changes made soon enough, and will this failure to act result in the Louvre facing legal repercussions?

The Fate of Aalmuhammed and the Reimagining of Joint Authorship in the Music Industry ​

Jacob Gibbs

If the saga of Taylor Swift’s crusade to reclaim her masters has taught us anything, it’s that ownership is paramount in the music industry. Conversely, stripping artists of their ownership is a Faustian bargain, where short-term opportunity comes at the price of long-term control. Today’s greatest hits are assembly lines of creativity. Notwithstanding this, copyright law turns a blind eye to collaboration and wrongfully treats these songs as the product of isolated creation. Joint authorship is a particularly powerful doctrine in music because, unlike much of the industry, it’s not determined by contract but is a determination of law. As a result, courts pay greater attention than usual to the nature of the parties’ collaboration.

Podcast f(Empires): Call Her Daddy, True Crime, and the New Rules of Dealmaking

Adelle Else

When Call Her Daddy co-hosts Alexandra Cooper and Sofia Franklyn had their very public breakup in 2020, the headlines mainly focused on drama. But beneath the tabloid sheen lay a much bigger story—one about ownership, branding, and the transformation of podcasts into high-value intellectual property. The dispute ended with Cooper walking away with the name, the audience, and eventually securing exclusive deals with Spotify and SiriusXM totaling over $180 million. But for lawyers, the real climax is what the saga reveals about podcasting’s legal infrastructure, or rather, its absence.

Are Biopics Going Too Far in Portraying High-Profile Females Without Their Consent?

Samantha To

In the past several years, Hollywood has “taken on a particular mission: to reclaim a rarified group of famous women—nearly all of them white, many of them beautiful and blonde—that the mass media made mincemeat of in the ‘80s and ‘90s.” Spencer (2021) and Pam & Tommy (2022) are examples of such attempts to illuminate and vindicate “mistreated” and “misunderstood” women like Princess Diana and Pamela Anderson through portraying them in biographical films and television series. Yet, these two biopics remain highly controversial, for what were glamorized as feminist reclamation projects “to right a public wrong” are, in reality, on-screen dramatizations of “the most difficult and traumatic episodes of these women’s lives.” Most importantly, they were produced without these women’s consent. How is this legally possible? 

Trademark Minimalism

Alexander Bigman

Can a design be too simple to trademark? Such was the argument of a furniture maker whose work for Kim Kardashian resulted in a lawsuit by the heirs of Donald Judd, the famous minimalist. The dispute arose from a YouTube video that Kardashian posted in August 2022, offering viewers an office tour of her now-defunct skincare brand, SKKN BY KIM. Partway through her tour, the celebrity entrepreneur pauses before a strikingly rectilinear table, surrounded by a matching set of plywood chairs whose backs align flush with the table’s surface. “If you guys are furniture people,” she says, “these Donald Judd tables are really amazing and totally blend in with the seats.”1

From the Pros to College: The Inversion Causing Ripples Around the Globe

Paul Akere

It’s a great time to be recruited, unless you’re a high school athlete with dreams of playing in college. Former professionals now look to collegiate basketball to continue their career. At the Big 12 basketball media days on October 22, 2025, Bill Self, two-time Associated Press Coach of the Year and head coach for Kansas’ Men’s Basketball team, sounded off. He told reporters that his team would be calling National Basketball Association (“NBA”) teams to find out which professionals would become available for his recruitment.

Who Owns Slipknot.com? Cybersquatting and Digital Property

Katherine Ok

Slipknot.com has a surprisingly bare-bones design. A visitor might expect great blasts of fire, gory blood-splattered imagery, and the band’s infamous masks, but instead lands on a flat, slate-gray page with only three oversized blue buttons labeled “Slipknot Merchandise,” “Concert Tickets,” and “Concert Vip Packages.” Now, how about slipknot1.com? With its official visuals, tour announcements, merchandise links, and photo galleries, this shoddy URL looks to be the band’s true digital site.

Fact or Fiction: When Based on a True Story Becomes Based on an Exaggerated Lie

Nikolas Gieler

The advent of social media has gradually brought our private identities to the forefront of public life. Information about the layperson is now available to anyone with an internet connection, blurring the lines between what is yours and what is the public domain. So, what happens when a zealous filmmaker decides to capitalize on your persona? And, more importantly, what happens when that persona is divorced from reality?

The Football Governance Act: Hooligan Protest Leads to Substantive Reform

Duncan McCabe

In July of this year, the UK government passed the Football Governance Act (“the Act”) in capping years of concern over a lack of regulation in English football. The Act shifts authority over football clubs from private owners and into the hands of fans and the government. In April of 2021, six English football clubs known as the “Big Six” announced plans to withdraw from the UEFA Champions League, the preeminent tournament in world football. The Big Six intended to join six other European football giants to create a new “European Super League.” Unlike the meritocratic Champions League, the new Super League would be open to only the wealthiest clubs in European football. Supporters of big clubs and small clubs alike took to the streets to express outrage at the announcement. Their chants had a common theme: greedy club owners were stealing the future of English football. 

In This Life, I’m a Corporate Spin-Off?: On Webtoon Creators’ Derivative Rights, or the Lack Thereof

Lydia Kim

In South Korea, worlds built within comic panels are increasingly finding fame beyond their original format. The South Korean webtoon industry has achieved global success through an adaptation strategy called the one-source, multi-use (OSMU) model, in which popular webcomics are adapted into derivative works such as dramas, films, video games, animations, books, musicals, exhibitions, and merchandise. Some famous examples include Solo Leveling (Anime of the Year at the 2025 Crunchyroll Anime Awards), All of Us Are Dead (one of the most-watched Netflix series of all time), and Sweet Home (the first South Korean series to enter Netflix’s U.S. Top 10). By using the OSMU strategy to “monetize a single story across multiple media formats and geographies,” analysts say that established original works with strong brand identities and fanbases can continue to generate profits beyond their source material, while reducing creation costs and minimizing uncertainty risks.

Digital Doppelgängers: How the Law is Addressing Deepfakes

Emanuela Gallo

In 1856, Edgar Allan Poe wrote, “Believe nothing you hear, and only one-half that you see.” In 2025, even half can’t be believed. Five days after its September launch, Sora 2 topped the App Store with over a million downloads. OpenAI’s text-to-video app made headlines again in October for pausing use of Martin Luther King Jr. after “disrespectful depictions.”“To watch the legacies of real people be condensed down to ‘this vaguely looks and sounds like them so that’s enough,’ just so other people can churn out horrible TikTok slop puppeteering them is maddening,” Zelda Williams said after videos recreating her late father, Robin Williams.

Legal Liability and Using Copyrighted Works to Train AI Models: Emerging Boundaries in Fair Use

Lia Lin

We live in an era where artificial intelligence (“AI”) is developing rapidly, and people’s demand has driven developers to train powerful, sophisticated AI systems. Most AI systems share a similar training process: ingesting vast amounts of input material to analyze their style, patterns, and structure, then using the analytical results to generate new outputs. Two recent summary judgment decisions from the Northern District of California discussed this issue. In Kadrey v. Meta Platforms, Inc. and Bartz v. PBC, courts considered whether the use of copyrighted works for training AI systems constitutes copyright infringement, and determined that, in certain circumstances, this conduct is not liable under the fair use doctrine.

Love Island and the Law: Contestant Rights and the Ethics of Reality Television

Charlotte Rezak

Love Island USA films its contestants 24 hours a day—even while they’re sleeping, showering, and becoming intimate—and deprives them of access to the outside world. In the US, Love Island and other reality shows have started to implement on-set psychologists, welfare managers, and mental-health screenings. Still, allegations of mistreatment remain frequent, and backlash against the treatment of reality TV show contestants is mounting. So why do reality show contestants remain largely unprotected by the law?

The Unseen Hand: Curation of Art Made in Prison

Micah Mekbib

Contemporary discourse has long contemplated the ethical questions raised when individuals who do not share the identities central to an art exhibit take on the role of curating that work. Consider Dr. Kristen Windmuller-Luna, a curator of African arts at the Cleveland Museum of Art and, to put it plainly , a white woman. Before joining the Cleveland museum, her appointment as a curator for the Brooklyn Museum’s African art collection sparked protests calling for the decolonization of museum practices. … And oftentimes, this question of who gets to curate what art may be legally contested when art institutions fire, refuse to hire, or discriminate against curators within suspect circumstances. 

Fourth Harmony: Does Charlie Puth’s Interpolation “Threshold” Rule Stand in Court?

Ruth Samuel

On Friday, October 3rd, Taylor Swift released her 12th studio album, “The Life of a Showgirl,” and with it came the usual discourse: empty, vapid “analysis” from crazed stans, questionably microaggressive lyrics and weak jabs at industry counterparts. What was not expected is an ostensibly phallic track about her fiance, Travis Kelce, becoming the source of copyright infringement allegations. According to listeners and internet sleuths, her record “Wood” allegedly drew its melody from The Jackson 5’s “I Want You Back.” Four days later, musical prodigy and singer Charlie Puth took to TikTok to explain the difference between sampling and interpolation with what he calls “the four-note threshold rule.” 

License to Kill (Games)

Feiyang Peng

This past summer, petitions across the EU and the UK gathered over a million signatures urging lawmakers to prohibit developers from “killing” purchased games through unilateral termination. Though the Stop Killing Games movement (“SKG”)—an online consumer-rights campaign sparked by Ubisoft’s termination of The Crew—touches on issues from digital obsolescence to open-source software, its core frustration stems from the growing gap between consumers’ intuitions about ownership and the legal reality of our license-based digital economy.

“The Easy Way or the Hard Way:” Re-Examining FCC Television Regulation and License Renewal Post- Kimmel Preemption

Isabelle Cashe

Two days after Jimmy Kimmel’s September 15 monologue mentioned Charlie Kirk’s death and the president’s response, Federal Communications Commission Chair Brendan Carr expressed his disproval of Kimmel’s comments and issued a thinly veiled threat: “We can do this the easy way or the hard way … These companies can find ways to change conduct to take action on Kimmel or, you know, there’s going to be additional work for the FCC ahead.”

War of the Clean Girls: Copyrighting an Aesthetic

Gabrielle Pesantez

Modern social media empires rise and fall at the whims of content creators and users who dictate trending aesthetics, styles, and vibes. Endorsements across social media content thus seek to exploit this sense that a company’s product belongs within whichever cohesive aesthetic on which the public is currently fixating. What better way, then, to promote your product than by identifying the perfect spokeswoman for it?

True Crime Documentaries and the Right to a Fair Trial: The Karen Read Case

Oliver Kneen

This March, Investigation Discovery aired A Body in the Snow: the Trial of Karen Read, a five-part docuseries about Karen Read, a Massachusetts woman accused of killing her boyfriend, John O’Keefe, with her car. The documentary chronicled her first trial, which ended in a hung jury, and amplified her allegations that police mishandled the investigation and covered up the true nature of O’Keefe’s death. The series aired two weeks before her second trial and earned an audience of 6.3 million Americans before jury selection even began.

Global Challenges to the Doctrine of Foreign Equivalents in Trademark Law

Agathe Duriez

A recently filed petition for certiorari highlights the challenges posed by the expansion of international trade to U.S. trademark law. The petition followed the Federal Circuit’s affirmation of the U.S. Patent and Trademark Office’s (USPTO) refusal to register the fashion brand Vetements on the ground that “vêtement,” meaning “clothing” in French, is too generic. The growing interconnectedness of global markets and the resulting multilingual consumer base in the United States raise important questions about whether the U.S. approach to trademarks should be reconsidered.

Are Background Music Problems Moving to the Foreground?

Alexa Shyama

On May 1, 2025, multiple Warner Music Group-affiliated music recording companies collectively filed a complaint against Designer Brands Inc. and its subsidiaries, including Designer Shoe Warehouse (DSW). The charge? DSW allegedly used WMG’s music in its TikTok ads without a license, despite being a “55-year-old company, with decades of experience licensing music for advertising – including a history of licensing music from WMG.” 

Previous Post

The Most Painful Traffic Stop Ever

Next Post

The Murder Suspect Was a Cop

Next Post
The Murder Suspect Was a Cop

The Murder Suspect Was a Cop

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Recent Posts

  • Cop’s Unlimited Patience Runs Out After She Does This
  • Police Know They’re Hiding Something
  • Lady Gets Caught Trespassing, Becomes Enraged
  • Lady Says She’s Being Targeted By Police, Ends Badly
  • Tries Attacking Officer After Throwing His Laptop At Woman

Recent Comments

No comments to show.

Archives

  • February 2026
  • January 2026
  • December 2025
  • November 2025
  • October 2025
  • September 2025

Categories

  • Uncategorized

© 2026 JNews - Premium WordPress news & magazine theme by Jegtheme.

No Result
View All Result

© 2026 JNews - Premium WordPress news & magazine theme by Jegtheme.